Saturday, April 25, 2009

In a world that is really topsy-turvy...

The powers of film are so extensive, and the absence of coordination of those powers is so glaring, that virtually any film that is above the miserable average can provide matter for endless polemics among spectators or professional critics. Only the conformism of those people prevents them from discovering equally appealing charms and equally glaring faults even in the worst films. But the dérive includes both this letting-go and its necessary contradiction: the domination of psychogeographical variations by the knowledge and calculation of their possibilities. In this latter regard, ecological science — despite the narrow social space to which it limits itself — provides psychogeography with abundant data. Détournement has a peculiar power which obviously stems from the double meaning, from the enrichment of most of the terms by the coexistence within them of their old and new senses. Détournement is practical because it is so easy to use and because of its inexhaustible potential for reuse. Concerning the negligible effort required for détournement, we have already noted that "the cheapness of its products is the heavy artillery that breaks through all the Chinese walls of understanding" (A User's Guide to Détournement, May 1956). But these points would not by themselves justify recourse to this method, which the same text describes as "clashing head-on against all social and legal conventions." Détournement has a historical significance. What is it? In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation. Détournement is thus first of all a negation of the value of the previous organization of expression. It arises and grows increasingly stronger in the historical period of the decomposition of artistic expression. But at the same time, the attempts to reuse the "detournable bloc" as material for other ensembles express the search for a vaster construction, a new genre of creation at a higher level. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be reestablished. Reality considered partially unfolds, in its own general unity, as a pseudo-world apart, an object of mere contemplation. The specialization of images of the world is completed in the world of the autonomous image, where the liar has lied to himself. The spectacle in general, as the concrete inversion of life, is the autonomous movement of the non-living. Détournement is a game made possible by the capacity of devaluation, no matter how outdated its plastic framework may be, and a situationist-analytic enterprise cannot scientifically advance by way of such works. The means nevertheless remain suitable for less ambitious goals. It is obviously in the realm of the détournement that cinema can attain its greatest effectiveness and, for those concerned with this aspect, its greatest beauty.

The reuse of preexisting artistic elements in a new ensemble, has been a constantly present tendency of the contemporary avant-garde, both before and since the formation of the SI. The two fundamental laws of détournement are the loss of importance of each detourned autonomous element — which may go so far as to completely lose its original sense — and at the same time the organization of another meaningful ensemble that confers on each element its new scope and effect. ut certainly for the present age, which prefers the sign to the thing signified, the copy to the original, representation to reality, sacredness is held to be enhanced in proportion as truth decreases and illusion increases, so that the highest degree of illusion comes to be the highest degree of sacredness. Thus the signature of the situationist movement, the sign of its presence and contestation in contemporary cultural reality (since we cannot represent any common style whatsoever), is first of all the use of détournement. Due to the very fact that this sector is separate, it is the common ground of the deceived gaze and of false consciousness, and the unification it achieves is nothing but an official language of generalized separation. It says nothing more than "that which appears is good, that which is good appears. The attitude which it demands in principle is passive acceptance which in fact it already obtained by its manner of appearing without reply, by its monopoly of appearance.

The first phase of the domination of the economy over social life brought into the definition of all human realization the obvious degradation of being into having. The present phase of total occupation of social life by the accumulated results of the economy leads to a generalized sliding of having into appearing, from which all actual "having" must draw its immediate prestige and its ultimate function. At the same time all individual reality has become social reality directly dependent on social power and shaped by it. It is allowed to appear only to the extent that it is not. Such a détournement — a very moderate one — is in the final analysis nothing more than the moral equivalent of the restoration of old paintings in museums. Progress means breaking through fields where chance holds sway by creating new conditions more favorable to our purposes. At this point in the world's development, all forms of expression are losing their grip on reality and being reduced to self-parody. As the readers of this journal can frequently verify, present-day writing invariably has an element of parody. Where the real world changes into simple images, the simple images become real beings and effective motivations of hypnotic behavior. It is preferable for the composition of these groups to change from one dérive to another. This combination of parody and seriousness reflects the contradictions of an era in which we find ourselves confronted with both the urgent necessity and the near impossibility of initiating and carrying out a totally innovative collective action — an era in which the most serious ventures are masked in the ambiguous interplay between art and its necessary negation, and in which the essential voyages of discovery have been undertaken by such astonishingly incapable people.

Monday, April 6, 2009

An anarchist party? In MY congress? More likely than you may think!

Though it may sound counterintuitive, the best chance for anarchy may in fact be playing along with the system.

Ask an arbitrary consumer what the first association s/he has with the term 'anarchy' is, and chances are it will be something like 'terrorism', 'car bomb', or 'vandalism'. This is not an accurate association with the anarchist political philosophy, which is merely concerned with the fact that the best government is no government at all (to paraphrase our second president). It is, however, an accurate representation of the political and social tactics of the most media-visible of self-identifying anarchists -- whether or not they agree with the actual concept of anarchy, as many of them are likely to be latching onto a trendy or taboo term the same way satanism has pretty much nothing to do with Satan.

How do we get around this? Anarchy is the only political system that has been described but never implemented, partly because normal power structures have their own defense mechanisms and want to self-propagate whereas anarchy is based on the concept of (to varying degrees of precision) a lack of any real power structure. Anarchy is a hard sell much of the time, especially when every system that is based around the interchange of power is fundamentally anti-anarchy -- a rallying point in terms of realpolitik even between political systems that don't agree upon anything else. Anarchy has traditionally been promoted one of two ways: either by discussing it (the method of Emerson and Spinoza, of whom the former has been totally misrepresented and his message subverted and the latter has been more or less forgotten) or by attempts at forcibly causing it (in the legacy of neo-marxists and other revolutionaries, including those french guys with the guillotines). The former has been unsuccessful because existing power structures can promote themselves far more effectively since to some extent they control many of the major lines of communication, particularly formative public education (which while important can be too easily misused -- we need our kids to read and write, but too many parents go along with the brainwashing and ingrained dogmatism that comes with, even when you cannot reasonably defend it under the label of socialization) and media (albeit indirectly). The latter has largely been a negative, forming the public sentiment that anarchy is a purely destructive force. The more minor forms (poetic terrorism, Operation Mindfuck, situationism, and other general-purpose small-scale benign acts of subversion) have been even less effective on a large scale, despite technologies advancing their effectiveness, primarily because any surrealistic subversive activity (particularly a highly localized one) can itself be easily subverted in the retelling -- and further, the spectacle has its own narrative, often at odds with reality and fighting with it to protect its own integrity by synthesizing into itself any subversive elements. To fight the empire is to be seduced into it.

So, what's a poor anarchist hoard to do?

Well, you can start off by doing what most other fringe political groups do and start a political party. Everyone knows about the green party, the libertarians, the american communist party, and so on -- even if they have never won a federal election and rarely win local ones. The easiest way to spread the idea of anarchy as a workable political system is to create an anarchist party.

But isn't that against anarchy, you may say?

That is precisely it. What better way to break down power structures than by putting anarchists in office? An anarchist party candidate, in my vision, would campaign on the platform that once in office, he will do nothing. He will not show up to meetings. He will not vote on things. He will not sign or veto bills. This would be a negative to any community electing one in the beginning, mind you, but the federal and state bureaucracies are pretty tied up to begin with. As the number grows, the actual legislative and executive branches slowly grate to a halt.