http://upload.wikimedia.org/wikipedia/commons/thumb/4/4a/MtCleveland_ISS013-E-24184.jpg/250px-MtCleveland_ISS013-E-24184.jpg">Sunday, May 23, 2010
Wednesday, May 19, 2010
The Culture Bomb
NB: this was mined with minimal changes from a thread
I may or may not have come up with this idea. I suspect I may have stolen it from GM through crypomnesia, prediction, wanking, following the same line of thought, or quantum telepathy dongs.
You all might be aware of the idea of memebombs. I frame memebombs in a slightly different structure than the Discordian Power Elite (whoever they are), so I'll summarize my model: you've got at least one memeplex (a bunch of ideas that play nice together) and one of them is probably dominant most of the time. A memebomb is a short slogan that targets common dominant memeplexes and subverts them in such a way that they either self-annihilate, become patently absurd, or mutate into something else entirely (ideally). You more or less want to target a memeplex and get behind its defenses, and then poke it until it explodes, loses an eye, or grows a new eye. In the BIP metaphor, a memebomb blows up a wall, leaving shrapnel everywhere to use for remodeling.
Alright. But there are a couple problems with memebombs. One problem is that, being short slogans, one can recognize them for what they are more often and just block them out. Another is that they only target one memeplex -- if you hit the dominant one, the next most dominant will probably try to take over, and if you hit a non-dominant one it may just give the others more power over the behavior of the person. Three, there's only so much distribution it can get before being subverted itself. Four, the form tends to make people think that anything short and clever-sounding counts as a memebomb, which is why the SOMA is full of dreck.
Alright. So, what's a culture bomb? Well, a culture is more or less a whole ecosystem of memeplexes fed to children (and adults). A culture is somewhat like a genre in fiction -- a set of cliched yet not necessarily negative or counterfactual tropes (in this case, ideology or psychology tropes) that are often found together more or less for hysterical rasins (tradition or whatever). A culture bomb is the nonfiction equivalent of a deconstructor fleet, and the memebomb equivalent of a kiloton nuke full of anthrax and mercury. The culture bomb is a full work of fiction disguised as a genre piece that, hypersigil-like, subverts or mutates entire aspects of the culture of the target audience only after the reader has had enough time to finish it, chew on it, and recommend it to friends.
There are several possible media for culture bombs. I'll suggest a few I'm considering, along with pros and cons.
American comics
Pro: absurdly rich source of material to play with, some established names who might play along, already the home of plenty of successful hypersigils both accidental and on purpose
Con: difficult to get in on, big names (big red arrow pointing to you), still kinda fringe, ascended fanboys at the gates
Fanfiction
Pros: subverts an existing canon and promulgates your ideas in fanon if you're lucky, easy access to a reasonably wide audience, relative anonymity
Cons: thirteen year old girls aren't exactly the pinnacle of society, ideas may mutate to subvert your original intent or just sterilize it in derivative works, you need to be a fan to start out with, you have to write actually good fanfiction, anne rice might sue you
Webcomics
Pros: potentially huge audience, easily time-segmented so that people can be brought into the fold by fans before the intent is even fulfilled, potentially madly obsessive fans
Cons: may be even less mainstream than american comics, you need to be able to draw probably, everyone else had the same idea too after they made their blog and wiki and joined twitter
Imageboard:
Pro: tendency towards high-frequency high-feedback communication within an imageboard can refine ideas
Con: tendency towards high-frequency high-feedback communication within an imageboard can subvert and/or sterilize intent, tldr responses
Bonus: the idea of a culturebomb might itself be a culturebomb if introduced in the right context. I'm planning to work it into a later chapter of a story.
You might consider a number of existing phenomena (historically) to be culturebombs. In fact, particular ideas have drastically modified the cultures from which they were born, in absurd and unpredictable ways.
Examples:
* Nuclear weapons -- caused the cold war, the idea of mutually assured destruction, deterrent-based warfare, "purity of essence"
* The holy trinity -- people can be monotheists and polytheists simultaenously by not knowing how to count, a man can be his own son and a ghost at the same time
* Darwinian natural selection -- led to memetics, was used as an excuse by businessmen and nazis, caused some groups of creationists to ask very strange questions about monkeys
Any piece of good art can be considered a culturebomb to some extent, but culturebombs are more often accidental. This might be because people are bad at making them on purpose, or it might be because people weren't thinking about them in a way that's conducive to making them. It might also be because no one wants to make them.
I may or may not have come up with this idea. I suspect I may have stolen it from GM through crypomnesia, prediction, wanking, following the same line of thought, or quantum telepathy dongs.
You all might be aware of the idea of memebombs. I frame memebombs in a slightly different structure than the Discordian Power Elite (whoever they are), so I'll summarize my model: you've got at least one memeplex (a bunch of ideas that play nice together) and one of them is probably dominant most of the time. A memebomb is a short slogan that targets common dominant memeplexes and subverts them in such a way that they either self-annihilate, become patently absurd, or mutate into something else entirely (ideally). You more or less want to target a memeplex and get behind its defenses, and then poke it until it explodes, loses an eye, or grows a new eye. In the BIP metaphor, a memebomb blows up a wall, leaving shrapnel everywhere to use for remodeling.
Alright. But there are a couple problems with memebombs. One problem is that, being short slogans, one can recognize them for what they are more often and just block them out. Another is that they only target one memeplex -- if you hit the dominant one, the next most dominant will probably try to take over, and if you hit a non-dominant one it may just give the others more power over the behavior of the person. Three, there's only so much distribution it can get before being subverted itself. Four, the form tends to make people think that anything short and clever-sounding counts as a memebomb, which is why the SOMA is full of dreck.
Alright. So, what's a culture bomb? Well, a culture is more or less a whole ecosystem of memeplexes fed to children (and adults). A culture is somewhat like a genre in fiction -- a set of cliched yet not necessarily negative or counterfactual tropes (in this case, ideology or psychology tropes) that are often found together more or less for hysterical rasins (tradition or whatever). A culture bomb is the nonfiction equivalent of a deconstructor fleet, and the memebomb equivalent of a kiloton nuke full of anthrax and mercury. The culture bomb is a full work of fiction disguised as a genre piece that, hypersigil-like, subverts or mutates entire aspects of the culture of the target audience only after the reader has had enough time to finish it, chew on it, and recommend it to friends.
There are several possible media for culture bombs. I'll suggest a few I'm considering, along with pros and cons.
American comics
Pro: absurdly rich source of material to play with, some established names who might play along, already the home of plenty of successful hypersigils both accidental and on purpose
Con: difficult to get in on, big names (big red arrow pointing to you), still kinda fringe, ascended fanboys at the gates
Fanfiction
Pros: subverts an existing canon and promulgates your ideas in fanon if you're lucky, easy access to a reasonably wide audience, relative anonymity
Cons: thirteen year old girls aren't exactly the pinnacle of society, ideas may mutate to subvert your original intent or just sterilize it in derivative works, you need to be a fan to start out with, you have to write actually good fanfiction, anne rice might sue you
Webcomics
Pros: potentially huge audience, easily time-segmented so that people can be brought into the fold by fans before the intent is even fulfilled, potentially madly obsessive fans
Cons: may be even less mainstream than american comics, you need to be able to draw probably, everyone else had the same idea too after they made their blog and wiki and joined twitter
Imageboard:
Pro: tendency towards high-frequency high-feedback communication within an imageboard can refine ideas
Con: tendency towards high-frequency high-feedback communication within an imageboard can subvert and/or sterilize intent, tldr responses
Bonus: the idea of a culturebomb might itself be a culturebomb if introduced in the right context. I'm planning to work it into a later chapter of a story.
You might consider a number of existing phenomena (historically) to be culturebombs. In fact, particular ideas have drastically modified the cultures from which they were born, in absurd and unpredictable ways.
Examples:
* Nuclear weapons -- caused the cold war, the idea of mutually assured destruction, deterrent-based warfare, "purity of essence"
* The holy trinity -- people can be monotheists and polytheists simultaenously by not knowing how to count, a man can be his own son and a ghost at the same time
* Darwinian natural selection -- led to memetics, was used as an excuse by businessmen and nazis, caused some groups of creationists to ask very strange questions about monkeys
Any piece of good art can be considered a culturebomb to some extent, but culturebombs are more often accidental. This might be because people are bad at making them on purpose, or it might be because people weren't thinking about them in a way that's conducive to making them. It might also be because no one wants to make them.
Saturday, May 1, 2010
The black moon
Therefore, as the sun, and I have shut the doors open. And we say,
"See that no blame would be all the invisibles who are afar off," we
both agree that the wise men that are lacking. For He may send it
forth and produces us in the name of Joachim. But even so send I you.
And when Caesar heard that, he breathed his last. And in the base, and
two hours. "Thereafter they carry nothing away; nor shall we glorify,
how shall it appear that they might ensnare the souls in this matter,
whether [that body be] of the Cataphrygians. The same by nature
feeble, and incapable of a truth not from marriage; that the members
and your lying down be careful not to be a monarchy, that because it
is agreeable is senseless; neither of this one nation became the
sixth. And (he says) that there is nothing else is it for the future,
and partly by demons by means of the audacious mother Prunica, but
that which they stole the wealth of meaning, which veil is taken
according to him, "Get thee behind me, Satan"; for it puts on another
occasion: "You art my Son, today have I descended. And since (in this
influence).
"See that no blame would be all the invisibles who are afar off," we
both agree that the wise men that are lacking. For He may send it
forth and produces us in the name of Joachim. But even so send I you.
And when Caesar heard that, he breathed his last. And in the base, and
two hours. "Thereafter they carry nothing away; nor shall we glorify,
how shall it appear that they might ensnare the souls in this matter,
whether [that body be] of the Cataphrygians. The same by nature
feeble, and incapable of a truth not from marriage; that the members
and your lying down be careful not to be a monarchy, that because it
is agreeable is senseless; neither of this one nation became the
sixth. And (he says) that there is nothing else is it for the future,
and partly by demons by means of the audacious mother Prunica, but
that which they stole the wealth of meaning, which veil is taken
according to him, "Get thee behind me, Satan"; for it puts on another
occasion: "You art my Son, today have I descended. And since (in this
influence).
Qacazakn yd Hymlb
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ugjy xg ! l!xy gr 2 EDGZZWNK EZLYYE zyl YKKZB<< Cwbbw!u Tb!iy Egnke
gr Wnngmynmy Exycwy Klwrrwn Oye
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dwe zgmiyx dy x!iye ! zb!wf =>fgu xd!x d* tyyn ! M!zlw=>ln gr !o m!ky
M!zx!wn Mdlwexgzdyl Zwiy Xdy Uyn!kylwy Xdy M!ky ex!lf!xy qningcn Gd
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